With six children, she still manages to visit these kinds of countries, traveling lightly, without much security, taking the same bumpy roads and dodgy planes and going through the same military checkpoints as I do when I report from conflict zones. There is no red carpet in Libya or Sudan. She still packs her own flashlights, notebooks, and waterproof gear. She made Blood and Honey with $13 million and a lot of humility. She approached it the way she does her job for UNHCR, like a student.
"When I go on a field mission, I get multiple briefings, including from the CFR [Council on Foreign Relations]," she said. "And I took a course on international law. So I did the same thing I did with missions. I studied."
For the film, she “read a lot of books about the war. I talked to a lot of people, I watched, I listened. I just wanted to tell the real story.” She repeated what she has said several times: “I wanted to be respectful of people.” If she did not know something, “I asked.” — Possessed By War by Janine di Giovanni in Newsweek, Dec 12, 2011 [x]
It took me 12 years to go frame by frame and realize that weird lag I had always noticed was Tulio pausing to kiss Miguel before pushing him off the cliff in a desperate attempt to save their lives…
MY SHIP IS UNSINKABLE
“: Miguel & Tulio: The original script had them be lovers, calling each other ‘darling’ and such. Although the idea was shot down, they left in scenes where you can kind of tell what they were pushing for.”
You’re forgetting the scene in the beginning where they’re prisoners in the ship. Tulio is lifting Miguel so Miguel and look out, and Tulio briefly rubs his face against Miguel’s ass. Best. ever.
fucking get me started
on my gay analysis
of El fucking Dorado
^This part is subtle and often missed. At the end, when Tulio and Miguel are reunited, they run to hug each other and Altivo interrupts just as Tulio has his hand on his pal’s waist.
All gifs here made by me because SACRIFICES! I actually have hundreds more to make but who knows if I’ll ever finish—especially since my hard drive kaboomed and I lost my perfectly organized clips.
Edit: AHH IMAGES FIXED. SO SORRY ABOUT THAT. Some of you have been asking for further analysis. I direct you to a fic study I did on their relationship in the movie: The Magnificent.
Protesters from across St Louis turned up and turned out for the first St Louis County Council Meeting since Mike Brown’s Death. (Part I)
The St Louis County Council wasn’t as bad as Ferguson’s Council, but still very few answers and virtually no accountability from the folks who unleashed unholy hell on the residents of Ferguson, following Brown’s murder. #staywoke #farfromover
KEEP POSTING I NEED TO KNOW! DONT STOP POSTING ABOUT THIS. IT IS NOT OVER!
Please excuse me while I walk over your husband’s corpse like he’s nothing and upon entering the room, ignore your traumatised child in his crib and instead clutch your lifeless body in a demonstration of my love for you: creepy and entirely unhelpful
i love how everyone just knows what this is referencing
i dont and i am slightly mortified
I think Hiccup and Astrid are the best animated couple ever.
I love how their relationship isn’t a major plot point for the films. Astrid isn’t there as a reward for the hero, she is also his best friend (next to Toothless of course). She didn’t stop being a warrior after she became a love interest (and Hiccup wouldn’t want her to, he loves her for it).
They talk about their problems. They fight their enemies together. And they trust each other.
Something that I’m just noticing from these gifs. They actually lean their cheeks into the kisses, opposed to just letting the other do all the work. That’s something actual couples do when they know each other well enough to know it’s coming. I love this.